The Circle, by Dave Eggers

9780385351393
Knopf/McSweeney's Books, 2013
491 pp

hardcover

"...any information that eludes us, anything that's not accessible, prevents us from being perfect."
                                                  -- 287

Let me start here with how I felt about this book when I turned the last page and closed the cover. The words "holy sh*t" came out of my mouth, and I was tempted to go disconnect myself from every social media site I'm on. As far as the book itself, I didn't think it was perfect; in fact, it is a bit contrived, but still a very timely read, one that gave me a case of the willies.

The story focuses on Mae Holland, who when we meet her, is working in a dead-end job until recruited by her best friend Annie, who works at a tech company called The Circle, and is in the upper echelons known as the Gang of 40, "privy to its most secret plans and data." One of the founders designed the Circle's "Unified Operating System," which

"combined everything online that had heretofore been separate and sloppy -- users' social media profiles, their payment systems, their various passwords, their email accounts, user names, preferences, every last tool and manifestation of their interests."

He also invented TruYou, "one account, one identity, one password, one payment system, per person," where you had to use your real name, which "tied to your credit cards, your bank," and your personal identity, basically did away with online anonymity. TruYou is presented as a system beneficial to the customer, since he/she wouldn't have to remember multiple user names, multiple passwords, etc. In fact, everything that the company does is "beneficial" in some way, for example, microchips embedded in bone to prevent kidnappings or to easily locate missing children, other measures designed to prevent crimes, and technologies to make everyone and everything accountable via transparency provided by built-in cameras. And all the while, The Circle monitors everything that's going on, boosting the slogan "All that happens must be known." Its point of view is that privacy begets secrets, secrets beget lies, lies beget impropriety, and that the only answer is to be completely open about everything. In short, "If you aren't transparent, what are you hiding?"

As Mae gets into her job, and gets sucked into the community aspect of the company, she not only gets swept up in all of The Circle's potential, but also develops her own unflinching desire for success, doing all that she can to make herself well known. Soon enough she quickly becomes a rising star with designs on getting into the top ranks.  Now, if this book were only about Mae and her ambition, well, that story's been done already, but The Circle offers a look at how promises of utopia can easily turn into a nightmare. The company has designs on making things so that eventually "all government and all life" would be "channeled through one network," with no escape from being "tracked, cradle to grave." In the world of The Circle, there will be no protection -- the by-then transparent politicians who "owe their reputations" to this company could be easily ruined by getting involved against it.

While I don't think this book is so great on character development or prose, it made me stop several times while reading to think about what I'd just read. I spent a lot more time thinking about it when I was finished, mainly about what the repercussions could be if technology induces us to give over all of our private information to one single entity that controls and monitors all information flow and all of our personal activities, vs the benefits that the technologies might offer. Yes, this book is didactic, and yes, there's zero subtlety here in terms of the message that is meant to come across, but it is definitely a thought provoker.

This book has gotten incredibly mixed reviews, so it is one that should be judged not by other-reader opinion, but by your own reading of it. I've seen everything from "this book is utter crap" to someone calling it essential reading, so the range of reader response is huge. In my opinion, it's a very timely book to be reading right now, and if it gives you a case of the willies, it's because the future described in here should scare the crap out of you.

ps/ after reading this book, I bought a brand-new copy of Orwell's 1984. 

Bellman and Black, by Diane Setterfield

9781476711959
Atria/Emily Bestler Books, 2013
336 pp

arc (a big thank you to the publishers!)

To put it rather bluntly, this book is not very popular among fans of Diane Setterfield's previous novel, The Thirteenth Tale, who I suppose wanted something more along the same lines in her new novel,  Bellman and Black and didn't get it.  I sort of feel like one of the lone holdouts -- I actually liked this book.  Then again, I went into it without any expectations:  even though I also liked The Thirteenth Tale,  I wasn't expecting this one to be a carbon copy.  I still don't understand why people come unglued when a particular favorite author goes off in a different way than in previous books -- as I've said so many times, it's very unfair and limiting to the writer when readers tend to expect the same thing over and over again. 

Set in the Victorian era, as a boy of ten, William Bellman, his cousin Charles and their friend Luke were hanging out on a summer day, and Will tells the others he can hit a bird that was in a tree "half a field away." He had fashioned a perfect slingshot, picked the perfect stone, and launched it, hitting a black bird against all odds. The other boys were impressed; Will was "sick at heart, proud, abashed, guilty."  On his way home he glances back to where the bird had fallen and notices a congregation of rooks, all looking in his direction, and he also thinks he sees a boy dressed all in black. He's obviously haunted by what he's done, and while he spends a half week in bed with a fever,  he starts to apply what the author calls "his ten year old genius and power" to "forgetting." William's adult life starts out promising -- he is helping his uncle at the family's textile mill and comes up with a number of measures to make the mill more productive and lucrative.  He falls in love, marries just the right woman, and has beautiful children -- the perfect life, one others are either envious or proud of.  Yet, it's not long until he is faced with several deaths, and at each funeral, he thinks he sees a man all dressed in black. William throws himself into his work rather than deal with his grief; when tragedy strikes and he loses of all of his family members but one, he makes a "deal" with the man in black for the recovery of his dying daughter.  William then moves to London and branches out into a new career with death as its centerpiece, and again applies his magical touch, throwing himself body and soul into his work,  making it a successful enterprise.  And all along he's waiting for "Mr. Black" to return and collect what he's owed.

If you look at the title of this book on Goodreads it is Bellman and Black: A Ghost Story (which is btw, NOT  the title on the hardcover copy I bought) and somehow word has gotten out that it is just that, a ghost story. If you read it very carefully, though (and without wrecking the story for others who might wish to read it), you have to make up your own mind  -- in some ways, it reminded me very much of Sarah Waters' The Little Stranger, which also requires that the reader really examine the "supernatural" events that occur.  What I see here is a study of a man who has excelled in forgetting, keeping his grief buried, and who has tried to carry on while unable or unwilling to mourn the tragedies of his life just to function.  Seen in that light, this very much character-based story really works for me, explaining a lot of the ambiguities that follow throughout the novel. I will say that while the book is highly atmospheric, William's character may seem to some readers to come off as flat.  He is anything but -- his drive, his inner thoughts and his actions all point to a man in a great amount of pain.  It's all in how you read it.

Lots of readers have commented on "lack of plot," but again, this is a character-driven novel so the interest lies in trying to fathom what's going on inside of William.  I really don't get why people are so negative in their comments about this novel -- I found it highly unsettling and mysterious, haunting, but at the same time the horror here is completely on the subtle side until right at the end when all is made known.  Frankly, I couldn't put it down.  So what I didn't exactly care about were the rooks-eye scenes; while I get why they were there, they were often a little distracting. Otherwise, it's one I can definitely recommend, and one I'm definitely going to revisit. 

US readers: today's book on the giveaway pile: Bellman and Black, by Diane Setterfield (ARC)

I've finished reading Bellman and Black by Diane Setterfield, and bought a hardcover copy for a second read. That means I have an advanced reader copy available if anyone would like it. I'll pay postage.

please give my book a home!

US readers: 2 more books needing homes

I'm toiling away on getting these book boxes unpacked so I'm finding books I was planning to give away. First we have Colum McCann's TransAtlantic

published this year and longlisted for the Man Booker Prize; next there's Paris, by Edward Rutherford, also published this year which I mistakenly ordered from an online book club and probably won't find time to read in the near future. 

Take one or both, I don't care. All you have to do is to be the first to comment with which book(s) you want, then email me at oakesn@gmail.com with an address. 

Please! These books really need a new home! I pay postage.

US readers: anyone want an ARC of Dan Simmons' The Abominable? It's free and I pay postage!

I have an ARC of The Abominable by Dan Simmons available to anyone in the US who wants it.  If you do, all you have to do is be the first one to make a comment on this post, then send an email with an address.  I'll  even pay postage!

this month's book group read: The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II, by Denise Kiernan

9781451617528
Touchstone, 2013
371 pp

hardcover


If you are at all interested in women's history or in the history of America's nuclear program, The Girls of Atomic City should be one of those books that gets added on to and then moved up to the top of your tbr pile.  It is one of the most thought-provoking nonfiction books I've read in a long time.

Pretty much everyone knows the iconic figure of Rosie the Riveter, who symbolized the women helping out the war effort during World War II.  When the men went overseas, many of the women left behind were called on to do jobs previously done by men, and their work amped up production lines to keep the war going.   The Girls of Atomic City explores some of the women who also kept things going in a project located  in a facility in what is now Oak Ridge, Tennessee, one that was geared toward putting an end to the war.

 The women were trained to do only very specific tasks without understanding the overall project that their labors helped to create.  They were not allowed to talk about their work, nor were they allowed to question anything, and they never knew who might report them if they did.  The project was so secret that wives couldn't talk to husbands about their work, dating couples couldn't discuss their jobs, workers couldn't talk to families or friends on the outside, and  violations of that rule often ended up with people simply disappearing, never to be heard from or seen ever again.    The women, along with the majority of men working at Oak Ridge, had no clue at all that everything they did helped to contribute to the production of the atomic bomb that was used first in Hiroshima, and then Nagasaki.  It was only when the bombs were dropped that the news was released, and people finally realized what it was they'd been working on, with very mixed reactions.  In The Girls of Atomic City, the author examines the personal and professional lives of some of the women who called Oak Ridge home for the duration.  The book is definitely thought provoking and also provides a look inside the America of the WWII years.   

You can read about it here, on my nonfiction page, if you're at all interested.  Personally, I felt that it was sometimes flawed in the telling, but overall, it is an incredibly eye-opening and very fine work about something I'd never heard of before.  It most definitely sparked an excellent discussion with the group. 

November: fictional cults

November is going to be Nancy's mental health month -- meaning that I'm not doing jack until Thanksgiving.  It's been a rough couple of months here at mi casa, starting with a redo of our entire top floor, which meant packing, stashing, throwing crap away, -- it's amazing how much one accumulates over seven years of living in the same house. Add in a trip to Seattle, leaving all of the mess to wait until I got back, then a gigantic Halloween party that I'd planned that required my pre-party attention for three solid days in a row. Aarrgh! Stress has been the norm around here, but I'm counteracting it all with a month (until the holiday) of doing absolutely nada. Nothing. Rien. 

So this month, as I'm reading through Eleanor Catton's  weighty tome The Luminaries, I'll also be reading novels that feature some sort of cult action. I got the idea after finishing Dave Eggers' The Circle. Even though it's not about cults, one thing it reveals is how people can get caught up in things well beyond their control.  Here's a sample of what I've dug up already in my library: 

Messiah, by Gore Vidal

The Dain Curse, by Dashiel Hammett

The Origin of the Brunists, by Robert Coover

The Possibility of an Island, by Michele Houellebecq

Oyster, by Janette Turner Hospital

I'll also be reading Daniel Alarcon's new book At Night We Walk in Circles, Bellman and Black by Diane Setterfield, and I'll also be posting a discussion of The Circle by Dave Eggers this week.  

I finally have time to just read, so I'm pretty happy! Yay!