The Laughing Policeman, by Maj Sjöwall and Per Wahlöö

9780307390509
Vintage Crime/Black Lizard, 2009
originally published as Den Skrattande polisen, 1968
211 pp.

translated by Alan Blair

I'm on a roll with this series -- this one is #4.  I've put down my thoughts about this book over where my crime fiction reading gets journaled, what I refer to as the Crime Segments.  If you like Scandinavian crime fiction, I'd highly suggest you take a look at this series.

The Man on the Balcony, by Maj Sjöwall and Per Wahlöö

9780307390479
Vintage Books, 2009 ed.
Originally published, 1967, as Mannen pa balkongen
 translated by Alan Blair


Man on the Balcony is the third entry of the Martin Beck series, set in Stockholm.  You can read about it here where I keep track of the crime fiction I've read.  It's an intelligent novel of crime, a great piece of Scandinavian crime fiction written long before there was anything by Stieg Larsson anywhere. Hopefully the Larsson phenomenon will draw people to other Scandinavian writers, most especially to this series which begins with Roseanna.  For the complete list of books in this series, click here. In the meantime, enjoy my review.

The Darkest Room, by Johan Theorin

9780385342223

Delta/Random House, 2009
Original Swedish title: Nattfåk, 2008
438 pp.
translated by Marlaine Delargy

Joakim and Katrine Westin, along with their two small children, have decided to leave Stockholm to buy and renovate an old manor house at Eel Point on the island of Öland.  Along with its two lighthouses, this area has a long history of shipwrecks and drownings, and it is said that the voices of the dead can still be heard. But for Joakim and Katrine, Eel Point offers a new beginning. For their children there are meadows and forests to play in, a definite change from urban life in Stockholm. But after only a couple of months, the idyllic setting becomes a place of dread after a terrible tragedy, which leaves Joakim shaken and inconsolable, unable to deal with his grief.  He begins to become more interested in Eel Point's haunted history, wondering indeed if the dead inhabit the area, and the house begins to act on his damaged soul. He meets Tilda Davidsson, a newly-recruited police officer who has moved to the area to escape from the gossip involved with her affair with a married policeman, and because she has family there.  Tilda's great-uncle is Gerlof Davidsson, who was a major character in Theorin's first novel, Echoes From the Dead, and she spends a lot of time with him, putting his memories of his life on Öland down on tape.

But there's more. As the Westin family is coping with its grief, the two Serelius brothers and their cohort in crime Henrik Jansson are busy breaking into vacation homes where the owners are away, stealing valuables and causing general mayhem. It's not long until their forays escalate and they start breaking into occupied houses and becoming violent, hopped up on meth before each job. Their activities have been reported to the police, but it isn't until Gerlof suggests to Tilda that she talk to a few of his old friends that anything really happens with the case.

These two plotlines, along with Gerlof's oral history of his family and of life on Öland, also combined with excerpts from a book written by Katrine's mother Mirja Rambe, all weave together into a perfectly-crafted thriller with a slight hint of gothic thrown into the mix.  The sense of place is unbelievably eerie and helps to keep the tension and suspense from ebbing at any point in the story. The characters are meticulously and well constructed, especially in the cases of Katrine and Joakim, whose lives Theorin discloses in only small bits and pieces at a time. The pacing of the novel is just a little slow to begin with, but when it picks up, there is no way anyone can possibly put this book down until it's over.

I have to admit to being put off at first by the hint of the supernatural that figures into the story, but as all came to be revealed, my worries were put to rest and Theorin didn't let me down. It is tough to label The Darkest Room as simply a mystery or a novel of crime fiction, because it's also an examination of loss, grief and human nature in its most vulnerable and exposed state. And as in his earlier Echoes of the Dead, Theorin has created a story in which the past has meaning for and acts on the present -- one of my favorite types of novels. I highly recommend this one and considering I read it in 90+ degree heat with a near equal level of humidity, it made me shiver throughout.  The Darkest Room is simply stellar.

fiction from Sweden

*The Ice Princess, by Camilla Läckberg

9781605980928

Pegasus Books

Originally published as Isprinsessan, 2002

trans. Steven T. Murray

Erica Falck, the main character of this story, is a writer of biographies of famous women. However, after her childhood friend Alex Carlgren-Wijkner is found dead, Alex's family asks Erica to write a commemoration of her life for the local newspaper in Fjällbacka, where Alex lived until age 10 and where she was later found dead in her parents' old home.  Erica does the article, but decides that she would like to write more about Alex - maybe a book. While working on her draft, she noticed that

...the material was increasingly taking on the form of a crime novel, a genre to which she'd never felt particularly attracted. It was people -- their relationships and psychological motivations -- that she was interested in; she thought that was something most crime novels had to give up in favour of bloody murders and cold shivers running down the spine. (112)

Lackberg, like her creation Erica Falck, is also interested in the "relationships and psychological motivations" of the people in her novel.  Alex Wijkner, the dead woman, is an enigma. She was Erica's best friend until one day Alex and her family moved away without saying goodbye. As Erica set to work interviewing people who knew her, Erica came to realize that everyone loved Alex, but nobody really knew her, because Alex never really got close enough to anyone to reveal herself.  But evidently someone wanted Alex out of the way, because now she's dead. But why? What possible motivation could anyone have to want to do away with her, since she was so widely admired? As Erica plunges deeper into Alex's life, she realizes that while the who is important, the why also continues to elude her. For help she turns to an old admirer, Patrik Hedstrom, now a police officer, who can go places Erica cannot, and together they begin to peel back Alex's complicated story, layer by layer. They also come to realize that some people will go to great lengths to prevent this story from coming out so as to protect secrets long hidden and buried away. 

The author's unraveling of  "psychological motivations" behind Alex's death is very well done, eked out little by little, creating a good deal of suspense until all is finally revealed. To start with such an enigmatic victim is a good move and a great way to ensure reader interest until the end. And setting the novel in the small town of Fjällbacka emphasizes the fact that a) tensions can run high in a small town or community where everyone knows your business or at least wants to, and b) murder can happen anywhere, not just in big cities. There is also a nice sense of place evoked here, while at the same time a familiar lament comes through regarding the beauty of this seaside town being wrecked by tourists, although the money from people on their vacations is badly needed. All of these things combined make The Ice Princess  a good read.

But perhaps there is too much emphasis on the "personal relationships" mentioned above. As long as the examination of personal relationships and the character development are pertinent and therefore necessary to the crime, I'm very interested. Human beings and their psyches are, after all, at the root of all crime, and one reason Scandinavian crime fiction authors are among my favorites is because they are very good at creating very human and complicated people, both good guys and bad.  But when the characters slip into lengthy romantic interludes or comic diversions that pull me away from the plot, then I'm distracted.  I realize this is a personal thing I have with crime fiction & mysteries, and I had to think about my own reading prejudices before trying to set down my thoughts about this book. I happen to be one of those people mentioned by Lackberg via Erica who prefers the "bloody murders and the cold shivers running down the spine,"  and I like my crime more streamlined, complicated and somewhat creepy.  For me, there was a bit too much time turned over to romance in this story, and in that aspect, it reminded me more of some cozy novels I used to read. While Erica and Patrik's growing relationship probably helps to make them more rounded characters, I found myself doing the quick skim through these parts to get back to the crime. The romance scenes tended to break up the suspense of what was going on with Alex's death and I couldn't wait to get back to the revelations at hand. The same was true with the scenes at the police station, with the parts featuring the ineptitude of a few of the local cops. While those scenes provided some comic relief, I didn't think I needed any -- again, I was much more focused on the crime and getting back to the main plotline. But then again, that's just me.

I failed to guess the who and the why, so that's a very good thing, and overall, the main thrust of the story was well written with a good plotline and good mystery at its core. This book has received many excellent reviews, and I would recommend it, despite my nigglings above. And I plan to read the other books in this series as well, so obviously I liked it.

 fiction from Sweden

catching up on reviews, part I: Don't Look Back, by Karin Fossum

0156031361
Harvest Book/Harcourt
295 pp.

Don’t Look Back is the second novel in the Inspector Sejer series behind Eve’s Eye (Evas øye), which has not yet been published in English.  Whether or not I missed anything because I  do not read Norwegian is not a big deal;  I still enjoyed Don’t Look Back . I’ll just consider it the first in the series for now.
 
This novel is a police procedural set in a small village in Norway.  As the story opens, Inspector Konrad Sejer is called out when a small child goes missing.  While investigating that case, the naked body of a teenaged girl named Annie Holland is discovered at the edge of the lake.  Sejer takes that case and brings along his colleague, Skarre.  As the two of them interview the locals  to find out more about the victim, they cannot seem to find any reason at all for anyone to have wanted to kill this girl. She was well liked by everyone.  The only thing Sejer has to go on is that Annie had recently seemed to have become very withdrawn, but hadn’t told anyone why.  Sejer and Skarre will have to dig deeper and deeper until they come up with an answer to why Annie died.

Fossum’s writing is very simple and uncomplicated, without a lot of inner monologues  and angst from the main character.  She is quite good at developing an atmosphere of suspicion and anxiety, setting the tone for the overall investigation, and keeps you reading with prose like this, the answer to a question posed by Sejer to Annie's mother:

There's supposed to be a sea serpent in the fjord here. It's a legend, a story from the old days. If you're out rowing and hear a splashing sound behind your boat, that's the sea serpent rising from the depths. You should never look back, just be careful to keep on rowing. If you pretend to ignore it and leave it in peace, everything will be fine, but if you look back into its eyes, it will pull you down into the great darkness." (49)

The characters are all believable, especially Sejer, who is a grandfather, recently a widower, but someone you know will do the job and stay on it like a pit bull until the case is over.  The plot is straightforward, and the focus is always on the investigation without the author straying off or getting sidetracked, and she throws in a few red herrings along the way to keep the reader guessing.  While the book moves at a very good pace, the story is never hurried and the investigation and solution were both realistic, and I never saw the end coming,  which is a plus because I often do.

Fans of police procedurals, Scandinavian crime fiction and crime fiction in general will like this book.  I have all of the other Inspector Sejer novels lined up, ready to read, so that must tell you something.

 fiction from Norway

Hypothermia, by Arnaldur Indridason

Harvill Secker/Random House

ISBN: 9781846552625

There's a subtle elegance to this particular story, considering it's a novel of crime fiction. There are no raging maniacs with axes hanging about, no serial killers, and no serious threats to the people of Reykjavik. In fact, there seems to be a lull in crime as this story opens, and Erlendur has some time to go back to some very cold cases. While pondering the ones that got away unanswered, he becomes involved with a new case, that of a woman who was found hanging in her vacation home. There are no signs to indicate anything other than suicide, but her friend Karen isn't so sure. Karen brings Erlendur a cassette tape of the dead woman's previous session with a medium and gets his attention. Working on his own, with no official police involvement, Erlendur works to find out why this woman took her own life. In a brief phone chat with Sigurdur Oli, when Erlendur notes that he wants to know "why she committed suicide,"  Erlendur explains why:

[Sigurdur Oli asks] " 'What's it to you?'

'Nothing,' Erlendur said. 'Absolutely nothing.'

'I thought you were only interested in missing-person cases.'

'Suicide is a missing-person case too,' Erlendur said and hung up on him."

Given Erlendur's background with the brother who was lost in a blinding snowstorm, his interest in the lost is no surprise.  And it's no surprise that he identifies with the ones left behind, for example, the grieving father who has checked in with Erlendur every year since his son vanished. For this man, time is running out because he's dying, and Erlendur wants him to go with answers. There's another missing persons case Erlendur goes back to as well -- that of a young woman who vanished one day, car and all. But it's the suicide that takes most of his time, as he gets into the head of the dead woman, just trying to figure out why.

Hypothermia is an excellent novel, and will give you pause to consider the nature of grieving and loss as you follow Erlendur throughout. Probably more than any of the previous novels in the series, place is itself a character, especially the cold and  lonely lakes of Iceland.  I loved this book and cannot recommend it highly enough.

Arctic Chill, by Arnaldur Indridason

ISBN: 9780099542322
Vintage UK

Here we are at book five of six featuring Inspector Erlendur Sveinsson, and I couldn't stand the suspense of waiting for #6 in the Reykjavik Murder Mystery series (Hypothermia) to come out in the US so I bought it from the UK. But then I wonder how long I'm going to have to wait for the next one. Oh well. This series is worth it completely.

As usual, Indridason delivers another good story here...not just a good mystery, but his insights into Iceland as a place and into its problems add to the entire series as a whole.

Just a brief synopsis first: During a very cold Icelandic winter, a young boy, the son of a Thai immigrant and her Icelandic husband, is found dead in front of his apartment building, with his body stuck to its own pool of blood. To make matters worse, it seems that his older brother is missing. As Erlendur and his team (Sigurdur Oli & Elinborg) start to work on the case, several theories present themselves -- was it a crime based on racism? Or was it the work of a pedophile known to be back in the area? Or, even worse, did the missing brother have anything to do with the young boy's death? While all of this is going on, Erlendur is also battling with the case of a woman who disappeared -- and both cases are bringing back his memories of his lost brother.

As anyone who reads Scandinavian crime fiction knows, these authors incorporate their own commentary (via plotline) about current social issues & problems in their respective countries. One of the themes prevalent in this novel is that of the problems of immigration in Iceland, which Indridason handles very skillfully.  It's not just a question of how native Icelanders feel about immigration, but he also reveals the problems faced by immigrants who go there - for example lack of language skills that hinder their ability to fully become members of Icelandic society, and the fact that families bring older children into the country who tend to have problems fitting in with the rest of their peer groups because they feel out of place. Indridason shows the feelings on both sides of the issue, treating the subject with a great deal of fairness toward each.

As always, Indridason's writing, his sense of place, his character development and his ability to create well-constructed plots are all in top form here. However, while  I understand that Erlendur's missing brother is one of those dark parts of his life that make him tick and make him who he is, and explains why he's fascinated with missing persons cases, and that this case of the two brothers reminds him of his own sad past, I feel I must point out that regular readers of this series already know all of this. Is the author maybe throwing this in for people who haven't yet read these books?

Overall, another good one by Indridason, whose entire Erlendur series is highly intelligent, making him one of those authors whose works I just can't wait to get my hands on. My advice: read them in order because these characters are not static and unchanging, but rather they are dynamic and becoming more human with every installment. Recommended to people who like Scandinavian crime fiction as well as mystery readers who want intelligence in their crime.

Woman With Birthmark, by Hakan Nesser

Hakan Nesser is another one of my all-time favorite writers of Scandinavian crime fiction. Woman With Birthmark is #4 in this series featuring Inspector Van Veeteren, a veteran detective in Maardam, whose location remains a mystery in itself. These books you can read as stand-alone novels, but there's always a plus to reading a series in order. 

A solitary mourner at a funeral is at the heart of a baffling series of crimes. A young woman made a death-bed promise to her mother and has cleared the way to begin her plan of revenge. Her first victim is a businessman who has recently been receiving some very odd phone calls. There is no voice, just a song that plays over and over again.  Shortly after a little fender-bender, his wife goes out one night leaving him home alone, and comes back to find him shot to death. Enter the police and Inspector Van Veeteren, who after their investigation, come up with very little to make a case, never mind an arrest. When another murder occurs in the same fashion, the members of the Inspector's team know that they must find some sort of a connection between the two dead men. Not only are they worried about a possible serial killer, but the press doesn't understand why the police are not doing their job and makes no bones about publishing how they feel. But the two victims lived very different lives, so the team has to begin the tedious and difficult task of linking each victim's pasts together, not only to identify the killer and the why, but to possibly warn anyone else connected with these two men.  


It's not a mystery, per se; the reader knows the who (sort of) from the very start.  What drives the killer is what slowly unravels throughout the story, teased out a little at a time. As in all of his Van Veeteren books, Nesser's writing, his plotting genius and his characterizations all speak for themselves in this story. He doesn't pad the writing with a lot of great detail and gets right to the crime and the search for a solution.  Van Veeteren doesn't seem to suffer from the angst that many other Scandinavian detectives are full of and he has this very dry wit and sarcastic sense of humor.  I've seen this book reviewed as being too slow with little punch, but trust me -- this is far from the case. If you want bang-bang shoot 'em up, look elsewhere. This one is much more subdued and cerebral.


I have followed this author's works in order of translation and have NEVER been disappointed. I can definitely recommend this book to readers of Scandinavian crime fiction, and for those who want quality and intelligence in their crime.

The Devil's Star, by Jo Nesbø

First of the cruise reads, The Devil's Star is a definite winner. Jo Nesbø is one of the best writers of Scandinavian crime fiction out there today.


summary, no spoilers:
Set in Oslo, Devil's Star features Detective Harry Hole, whose life started zooming out of control when his friend and fellow detective, Ellen Gjelten was murdered while working a case. Harry has spent much of the time since in an alcoholic stupor, neglecting his work to try to catch Ellen's killer, and putting his personal life in the trash. He knows who murdered Ellen, but proving it is a whole different story. Suffice it to say that you must read (in order) Redbreast, and then Nemesis to understand this part of Harry's life. In this book, he is assigned to work on the case of a dead woman who is found with a) a finger cut off and b) a diamond cut in the shape of a star under her eyelid. As the investigation gets rolling, and there are more deaths, Harry begins to uncover a pattern, but with time winding down on his own career, he has to come to grips with his past, present and future as well.

Nesbø's writing, his ability to craft a clever and engrossing series of plotlines that weave together effortlessly, and his excellent characterizations are consistent throughout the entire series. Harry Hole is one of my favorite crime fiction characters, but Nesbø doesn't stop with him. Each one of the supporting characters has a distinct reality of his or her own.

Nesbø is one of the reasons I continue to be fascinated with Scandinavian crime fiction. He is a talented writer, so much so that he is my favorite author within this genre. His books are dark and often broody, but well worth every second of reading time. My advice: read Redbreast and Nemesis prior to this one because prior knowledge of what's happening will raise the suspense level for you. Very highly recommended.

The Beast, by Anders Roslund and Borge Hellstrom

This may be one of the most graphic crime novels I've ever read, and one of the most unsettling books as well. I read a lot, and this one really got me.

From the outset the reader is sucked directly into the mind of a psychopathic sex offender, Bernt Lund, a very sick pedophile who preys on young girls. And it's not pretty, not at all.  After he kidnaps and kills two girls he is caught & put into a sex offender unit in prison after being diagnosed with a "minor mental disorder", but manages to escape, even though chained, while in transit to the hospital. Ewert Grens and his partner are assigned to the case, and Grens knows, after having spent a lot of time studying Lund, that he's likely to do it again and soon.  But even after elaborate preparations and police watches on nursery schools, the police don't make it in time to prevent another kidnapping.  The father of this particular victim has a breakdown and decides that he doesn't want it to happen again -- and proceeds to take the law in his own hands, with some horrible consequences. There is also a simultaneous storyline taking place in the prison from which Lund escaped, and both stories eventually weave together in a most gut-wrenching way. 

This is the first book in a series by Roslund and Hellstrom, just prior to Box 21. Once you begin reading it, you'll discover that this book is not so much a mystery or crime novel, but that it is actually about the nature and meaning of justice.  Although it is very gritty and incredibly tough to read due to its subject matter, this is a book that will make you pause and think. It is not your average police procedural -- the authors have a definite message here. Although set in Sweden, trust me -- this could most definitely happen here.  I would definitely recommend it to readers of Scandinavian crime fiction. 

Smilla's Sense of Snow, by Peter Høeg

Smilla's Sense of Snow is a book I read when it first came out, but having recently TiVo'd the movie (and stopping it before the end), I realized that I wanted to read it again.

The book starts with the death of a little boy, Isaiah, who lives in the same building as Smilla Jaspersen in Copenhagen with his alcoholic mother.  He had plunged from the roof of the building, leaving behind only footprints. Smilla, knowing that Isaiah had a fear of heights, and examining the footprints, realized that there's no way that Isaiah would be on the roof intentionally...so she begins to try to sort out the mystery of what happened. Her investigations take her into the dark and dangerous world of corporate secrets and conspiracies, but even with her freedom and life at stake, she has to get to the bottom of it all. But that's not all there is to this book. It's also an examination and critique of life in Greenland both before and after Denmark granted the Greenlanders home rule in 1979 as well as an attempt to understand environmental changes affecting Greenland.

While the mystery starts out strong (I enjoy a good conspiracy-type thriller to a point), what really carries this book is Smilla's character -- she's like an early Lisbeth Salander (from The Girl With the Dragon Tattoo) who doesn't let anyone get in her way. Smilla is a misfit and has an affinity for other misfits, and like the later Lisbeth, has her own sense of morality and justice.  The thriller part of this book will keep you reading, but at some point it becomes kind of science-fiction-ish which for me was a bit of a problem. However, it's very readable and you won't want to give it up until it's over.

I'd recommend it mostly to fans of Scandinavian crime fiction. It's not your average thriller/suspense type of novel, and people who could care less about Greenland politics, culture and science may find it a little tough going. Otherwise, it's a good way to spend a few hours.

The Man from Beijing, by Henning Mankell

The opening scenes of this book are positively chilling, when at first a hungry wolf, away from its pack, is searching for food around the tiny village of Hesjövallen and chances upon a human leg. Then later, a researcher looking into the phenomenon of small towns and villages that are simply dying out stumbles upon the scene of a massacre -- with the exception of three people, everyone there has been gruesomely murdered. The only clue: a red ribbon that someone has left behind in the snow.  In charge of the investigation is one Vivian Sundberg.  Sundberg crosses paths with a judge named Birgitta Roslin, currently on sick leave for high blood pressure issues,  who reads about the slaughter in her local newspaper and realizes that the victims included her mother's foster parents. Birgitta wants to help the police, and as she goes to volunteer her information, she has unknowingly already started down a most dangerous path.

Now, if things had launched from that point in the usual Mankell style, I would have been reading with the usual high level of suspense tension that his works generally produce. However, Mankell seems to have some issues he wants to deal with, apart from just the decaying state of Swedish society. He takes the reader into a discussion of current philosophical divisiveness regarding  the future direction of the People's Republic of China, going from there into the plight of parts of post-colonial Africa, and although it all does tie into the story line, you sort of get the feeling that you're getting lectured to here at times.  And although eventually things do come full circle, the getting there just wasn't done in the usual Mankell style. The motivation of the bad guy didn't seem realistic, and neither did some of the actions of Birgitta, since she is supposedly someone who is meant to uphold the law. And there are a few too many coincidences at work in this novel.

Perhaps it's not fair  to judge this book based on others that the author has written, but you can't really help it in the long run. I love Mankell's work (and I've read a LOT of his books), but this one just didn't do it for me. But, since it's getting rave reviews at a lot of places, don't just take my word for it. I'm just one person swimming against the tide of popular opinion.

Box 21, by Anders Roslund and Borge Hellstrom

Having read somewhere that fans of Girl With the Dragon Tattoo would also like this book, I picked it up. It's nothing like Stieg Larsson's book at all.  In his novel, there's a mystery to be had as well as a strong heroine who lives by her own inner sense of morality and never wavers. Here, what you've got is a police procedural, a story of revenge and betrayal, and at its heart, an ethical and moral dilemma. That's not to say that this isn't a good book (it is), but it's a different animal altogether than Girl With the Dragon Tattoo. 


The main focus of this novel  centers around the sex-slave trade. Young girls Lydia Grajauskas and Alena Sljusareva lived in Lithuania until promises of good jobs in Sweden brought them there, only to realize the first night on the boat trip to their new home that they had been horribly misled. They find themselves locked in the rooms of a house, prisoners, kept there by a nasty piece of work named Dmitri, brutalized into submission and forced to perform twelve times a day for various regular clientele.  Their situation has lasted three years and comes to a head one day, bringing the police into the situation, beginning a story that will absolutely make you cringe and want to look away as you read it. But you can't.

Aside from Lydia and Alena, the main characters in the novel are policemen, especially  Ewert Grens, a detective who has been obsessively gunning for a criminal named Jochum Lang who years earlier, caused Grens' partner Anni to live in a permanent state of brain damage and to be confined to a wheelchair. Grens is a puzzle to his co-workers -- his crime-solving rate is high, and he's good at his job, but since Anni's accident, he's been a loner, spending his time as a chronic workaholic, finding some solace in the music of a pop singer from the 1960s. As Grens works the case involving Lydia and Alena, he comes into possession of some  information that leads him to a critical juncture both in his life and in his career. His partner, Sundqvist, can't figure out what's going on until an order from above sends him off to find out the truth.

This is a dark book all the way through to the last page, which actually made my blood run cold. There are no feel-good or warm fuzzy moments here, no happy endings, and you will definitely have food for thought after you've finished. It's well written, the plotlines hang together well and all in all it is a great read.
I'd recommend it to people who like Scandinavian crime fiction, or crime fiction in general on a somewhat more gritty level than the usual fare.

Before the Frost, by Henning Mankell (moving along the tbr trail)

my edition

just taking a small break here, working on getting through my tbr pile, which really requires a lot of attention.

I'm a huge Henning Mankell fan, and I love Kurt Wallander.  All through the series, his daughter Linda has always been there, but here she plays a major role. The book is touted as "a Kurt and Linda Wallander novel," and from that I gather that he's planning to write more with the father-daughter duo as a unit.  After Wallander solo, it's going to be tough, because that particular series is so good that it's really difficult to top. And thus, we come to this particular novel, Before the Frost.

The novel opens with, of all things, an escapee from the horrible Jonestown Massacre that happened in Guyana in November of 1978. Fast forward a few years to an unknown figure setting swans on fire in Sweden. What the two have in common will be made obvious as the story progresses.

Linda Wallander has finished up at the police academy and is waiting for her first assignment in Ystad.  For the time being she's staying with her dad, Inspector Wallander, and decides to go catch up with some old friends.  One of these friends, Anna, tells Linda that she's just seen her long-lost father, then Anna disappears. Linda tries to get her father interested in finding Anna, but  Kurt Wallander and his team are looking into the disappearance and death of another woman, whose name mysteriously appears in Anna's journal, later found by Linda. The coincidence leads Wallander to believe that maybe Linda's got something here.   From here, the story takes several strange twists and turns, and the investigation leads them to a rather bizarre group who have set a deadline for something terrible to happen.

To be honest, this isn't my favorite book featuring Kurt Wallander. It tends to drag in places, is a bit melodramatic, and the core mystery is a bit over the top, as in the prior book featuring Wallander, Firewall. Considering that this is "Kurt and Linda" Wallander novel, Kurt tends to play less of a role than his daughter.  My guess is that Mankell wants the readers to become more familiar with Linda in her new role, especially if there will be more novels featuring this pair. Many of the other characters, especially the really bad guys, just didn't ring true to me, and it seemed like the addition of Linda in her new role toned down the edginess and suspense of Mankell's other Wallander novels.

Mankell is great at police procedurals as well as intense social criticism, and that's what keeps me reading his books. It will definitely be interesting (if he chooses to continue the series featuring father and daughter) to see if Linda Wallander and younger members of the police turn out to be as cynical about their society as is Kurt Wallander and his group, or if the generational aspect leads them to view things in a different light. I would still recommend it for Mankell and Wallander fans, and for fans of Swedish crime novels in general. I wouldn't make this one my first Wallander novel, but would definitely start with Faceless Killers and move through the series in order.

Overall...not my favorite, but it wasn't bad, either.

*Missing, by Karin Alvtegen

my edition

• Fact: I love Scandinavian crime fiction. 
• Fact: I have an entire three walls of bookshelf dedicated to Scandinavian crime fiction.
• Fact: I am rarely disappointed in Scandinavian crime fiction.

but this book is the exception.  And actually, I did something I rarely ever do after reading a book of Scandinavian crime fiction: I gave it away on Paperback Swap. So many people there had wishlisted it and I decided that perhaps someone else would like it much more than I. It leaves the house on Monday, after I return from California.  I share and recycle  a lot of books, but it's a rare moment when one is from the Scandinavian collection.  Anyway, getting on with this book, it seems to me that I really must have missed something, because I did not like this book.  It could very well be me, because I look at Amazon or other places where this book's been rated, and people are just in awe over this book.  It also got nominated for an Edgar award.

The story goes something like this:
The main character, Sibylla Forsenstrom,  is homeless, and when she gets desperate, scams wealthy-looking men into paying for dinner or buying her a room in a nice hotel somewhere.  For her, it's a tried and true method, and she's careful.  Her caution, however, does nothing for her when a man who paid for her room at a luxury hotel  is found not only dead but horribly mutilated.  She flees the scene, but accidentally leaves things behind.  When a second murder and mutilation occur, she finds herself on the front pages of every newspaper in Sweden, where she reads that she is wanted for both murders. Not only that, but her entire history (told in a backstory) of mental illness catches up to her and she is the most wanted person in the country.She decides that the only way out of this mess is to find the real killer and clear herself of suspicion.

Sounds like a great plot, and it is, but frankly, it just didn't have that edge to it that would normally keep me in suspense enough to keep turning pages.  To be very fair, the author did a decent job developing Sybilla's childhood history and her journey into mental illness (which I thought were the best parts of this book), but the murder and crime-solving angle just failed to reach out and grab me.  I thought that the writing was a bit flat and that the solution to the crime was something so obvious that the police should have picked up on it right away, making the whole mystery aspect to the book rather...hmmm....what's a good word here...amateurish.

But, the evidence overall points to everyone absolutely loving this book, so don't just take my word for it. I just calls 'em as I sees 'em, and I didn't really like it that much. I'll try another by Alvtegen, in case my dislike of this book was a freak thing, but only if one of her other books drops into my lap.

*Firewall, by Henning Mankell

my edition

sidebar: a few of the Wallander books have been dramatized on PBS Mystery, starring Kenneth Branagh, who makes an outstanding Wallander. If you haven't seen these, you must.  But do yourself a favor and read the books first. Check out the series here.

 If you haven't yet met Kurt Wallander, I highly suggest that you run, not walk, to your nearest bookstore and pick up his first book, Faceless Killers.  After that, you will want to run, not walk, to your nearest bookstore and pick up book #2. And so on and so on, until you've read all of the Wallander series. They are, in a nutshell, outstanding.  Okay...maybe Dogs of Riga wasn't so hot (every author is allowed one bad series novel), but you literally can't put down any of these books while you're reading them.

This continues to hold true for Firewall, number eight in the Wallander series (which, personally, I hope Mankell never stops writing),

It's a year after the events of the previous book (One Step Behind), and the story opens with the death of a computer consultant  just after making a withdrawal from his ATM.  As the team begins its investigation into his death,  two young girls in a taxi beat and stab the driver to death.  The girls are arrested, and claim they killed the driver for the money, which as it turns out, wasn't very much for their trouble. As Wallander tries to sort everything out,  events occur which lead him and his crack Ystad police team come to realize that these two events were not random occurrences at all, and that they are part of a much bigger and more threatening picture. And time is running out.

The action in Firewall never lets up. Mankell has delivered yet another excellent Wallander adventure here, although I must admit that while the storyline is plausible, it's a bit over the top. Barring that minor drawback, Firewall is excellent, and I'm amazed how well Mankell manages to continue to portray Wallander as a real person with real-world problems and personal issues.  He doesn't skimp on the supporting characters, either, and the core plotline is absolutely diabolical.

Mankell is one of my favorite authors, and as long as he keeps writing, I'll keep buying. Highly recommended for Scandinavian mystery fans, and to readers of more hard-edge mysteries as well.  Do not start with this book as your first Wallander experience, however, because Wallander is someone that you really want to take time to get to know as a character.

Overall -- it's a great read.  It's a bit over the top, but still a fast-paced and very edgy mystery novel that will keep you glued to the pages.